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Olympus 8mm f1.8 Fisheye M. Zuiko Digital Pro Lens

Olympus 8mm f1.8 Fisheye M. Zuiko Digital Pro Lens

£779.00
RRP £799 SAVE £20
£ 779

Olympus 8mm f1.8 Fisheye M. Zuiko Digital Pro Lens

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ENLARGE

Open up a whole new world with the only f1.8 Fisheye IN THE WORLD. Ideal for ultra landscapes, special effects and unique shots.

  • Lens is suitable for: Micro FourThirds Fit Bodies
  • Manufacturer: Olympus
  • Fitting: Micro FourThirds
  • Focal Length: 8mm
  • PRIME
  • Wide PRIME
  • Fisheye

Product code: OLY8 (4545350047900)

Product Details

  • Micro Four Thirds System
  • 16mm (35mm Equivalent)
  • Aperture Range: f/1.8 to f/22
  • 1 Aspherical, 5 ED, and 3 HR Elements
  • ZERO Lens Coating
  • 180° Angle of View
  • Movie & Still Compatible AF System
  • Dust, Splash, and Freezeproof Design
  • Rounded 7-Blade Diaphragm

From under the sea to the night sky, the record-breaking new M.ZUIKO DIGITAL ED 8mm Fisheye 1:1.8 PRO is an unprecedented opportunity to add stand-out creativity and a uniquely dynamic and abstract look to extremely wide-angle shots of the natural world. Unprecedented, because – in this category – the Fisheye PRO is the world’s brightest fisheye lens.

The super-large aperture ensures photographers top-notch optical performance in any conditions, especially in low light. The 2.5-cm minimum focusing distance (measured from end of the lens) and maximum magnification of x0.2 make it a logical choice for nature photographers with a passion for quirky perspectives and eye-catching bokeh. But the Fisheye PRO is also ideal for fast-action sports photography; landscape, nightscape and sky panoramas; as well as crowds, interiors or architecture.

Like the other lenses in the M.ZUIKO PRO family, it’s extremely compact and lightweight, especially compared to equivalent D-SLR rivals. The build quality is top notch. In pre-launch tests, professional photographers were quick to praise the blur-free performance of the Fisheye PRO at both ends of the f stop scale. Light fall-off at the edges is negligible, as are both chromatic and comatic aberrations, particularly when compared to equivalent rival lenses.

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