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Zeiss 50mm f2.8 Touit Lens (Sony E-Mount)

Zeiss 50mm f2.8 Touit Lens (Sony E-Mount)

Special Price £450.00

RRP £875 SAVE £425

Save £49.00! Previously £499.00

£ 450

-OR-

Zeiss 50mm f2.8 Touit Lens (Sony E-Mount)

A perfectionist with an eye for the details.

Very Limited Availability - Buy Now To Avoid Disappointment

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Incredible quality macro lens from the name that is steeped in premium optical quality

  • Lens is suitable for: Sony APS-C E-Mount Only
  • Fitting: Sony E-Mount (APS-C & Full Frame)
  • Focal Length: 50mm
  • PRIME
  • Standard PRIME
  • Macro
  • Filter Size: 52mm

Product code: ZT50S CL (4047865500159)

Product Details

  • E-Mount Lens/APS-C Format
  • 75mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • Two Aspherical Elements
  • Two Low Dispersion Elements
  • Planar Optical Design
  • ZEISS T* Anti-Reflective Coating
  • 1:1 Magnification, 5.9" Min. Focus
  • Floating Elements System
  • DC Autofocus Motor

The delicate structure of a petal, the tiny hairs on a cat’s fur or the seductive lines at the corner of the eyes - whenever a shot is all about the minute details, the ZEISS Touit 2.8/50M will delight and inspire. It not only allows you to portray objects in their original size, but also provides for beautiful contrast between the pin sharp focus of the image and the softly sketched background thanks to its aperture of 2.8.

Planar Design

The famous symmetric lens design invented by Dr. Paul Rudolph at ZEISS in 1896. The Planar lens is the most successful camera lens design – and, by the way, the most plagiarized – ever created. It provides the lens designer with numerous means to correct aberrations extraordinarily well. And its performance is very constant over a wide range of imaging ratios, enabling such a versatile lens variety as the Makro-Planar lens.

Smooth and reliable autofocus

The design of the autofocus system demands an extremely precise movement of certain lens elements. As the mass of the elements or groups to be moved within the optical system differs, various motor types may be installed. The focusing system of the Touit lenses is designed to guarantee robust and smooth autofocusing without any need for compromises or limitations in their optical design.

1:1 macro capability

The Touit 2.8/50M lets you capture the smallest things and the tiniest details at their actual size. At its closest focusing distance, subjects sized 15x23 mm fill the frame with an impressive maximum reproduction ratio of 1:1. The imaging performance of the Touit 2.8/50M is just as exceptional at such short distances as it is at medium and long distances. Minimum distortion, outstanding correction of chromatic aberrations, minimal image field curvature and excellent correction of coma and astigmatism allow true-to-life reproduction of any subject, particularly in combination with the high resolving power of modern sensors.

Excellent resolution and high contrast

Rich, vibrant colours are vital to creating a lasting impression. Stray light in the lens, however, would lead to a brightening of the image, which is particularly visible in shadow areas. Image contrast is lowered; the image appears dull and bleached. We combine various, elaborate techniques to reduce unwanted stray light.

Floating Elements Design

Today’s camera technologies and high-resolution sensors demand continuous improvement of lens performance. Thanks to the use of the latest floating element design principles, optical aberration effects in ZEISS lenses are reduced to a minimum throughout their entire focusing range. This is achieved by variation of the axial distance between individual lens elements or groups. This adjustment of the lens-to-lens distance is coupled to the distance setting to ensure correct compensation at all times. The mechanical construction of these lenses is extremely complex and they must be assembled with utmost precision – both of which are key competencies of ZEISS.

Ideal aperture characteristics

Photographers want to lead the viewer through their images. Planes with minimum depth of focus are often employed as creative elements. For instance, the background is kept intentionally out of focus to lead the viewer’s eye to the actual subject of the image. The Touit lenses feature a nine-blade iris that closes to create an almost perfectly circular aperture. The effect of this is the creation of a particularly harmonious effect in the out of focus areas of the image (‘Bokeh’).

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