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Sony 18-110mm f4 G E PZ OSS Lens (SELP18110G)

Highlights

  • Lens is suitable for: Sony APS-C E-Mount Only
  • Fitting: Sony E-Mount (APS-C & Full Frame)
  • ZOOM
  • Standard ZOOM
  • Filter Size: 95mm
  • Lens/Image Stabilisation: Yes

Product code: 18110 (4548736046375)

Sony Extended Warranty
4.6
(31 reviews)

Sony 18-110mm f4 G E PZ OSS Lens (SELP18110G)

£3,099.00

No used versions available

Product Details

You've got the 4K Camera. You've got the prime lenses, but now you need something with a bit of pull and control.  Enter the Sony 18-110mm F4 G E PZ OSS (SELP18110G) with 6.1x high zoom ratio.  This stunning 4K optically ready lens offers incredible smooth control, with full manual operations made easy for budding and experienced moviemakers.

  • APS-C/Super35 E-Mount Lens
  • Aperture Range: f/4 to f/22
  • One Aspherical & Two ED Elements
  • No Focus Shift or Lens Breathing
  • Switchable Manual and Servo Zoom
  • High resolution suited to professional 4K movie production
  • Smooth Motion Optics (SMO) design and construction to minimise unwanted focus and image shifts whilst focusing or zooming
  • Advanced operability including three separate focus, iris and zoom rings for professional operation
  • Optical SteadyShotTM in-lens image stabilisation
  • Compact, lightweight design with dust and moisture resistance

This powered zoom lens delivers optimum performance in Super 35mm/APS-C moviemaking applications, starting at 18mm wide-angle and extending through an impressive 6.1x zoom range with a constant F4 maximum aperture. G Lens optical performance delivers image quality that is suitable for 4K throughout the zoom range, right out to the image periphery.

Smooth Motion Optics meet pro cinema needs

Sony’s original SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on movie quality. Focus breathing is minimized by an internal focus mechanism, focus shift is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design.

High-level, versatile zoom control

In addition to smooth powered zoom, mechanical manual zoom ensures control with no lag. The desired angle of view can be accurately reached without overshoot or undershoot. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the lens’s length remains constant.

Optical SteadyShot

Built-in Optical SteadyShot image stabilization helps to keep captured images stable and blur-free in a wide range of shooting conditions. It can be a huge advantage when shooting in low light, minimizing the need to boost ISO and possibly introduce noise, as well as when moving around with the camera.

Ideal size and weight for active shooting

Compact, lightweight design contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support too.

Refined focus operation and features

The focus ring slides to switch between auto and manual focus, so the switchover can be made with no break or change in shooting posture. A 0.8 mm pitch focus gear is built right into the lens, providing direct compatibility with standard focusing accessories.

Reliable in challenging conditions

A sealed dust and moisture resistant2 design provides extra protection and ensures reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions.

Product Reviews

4.6
5
4
3
2
1
(Experts)
5
4
3
2
1
(Users)
Photography BLOG

The Sony E PZ 18-110mm f/4 G OSS is quite an unusual lens for photographers to consider, but it is useful as a superzoom lens which offers a wide constant aperture. Although primarily intended for a video audience, it’s easy to see how a stills audience would also be attracted to it.

Photodo

Designed for the APS-C format, this Sony E fit lens seems to cater for many different aspects of both still and movie photography. It is bulky, complex in construction and offers many different ways it can be set up.

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Sony

I bought the fs7 and E PZ 18-110mm f4 lens a month ago I think the picture and ease of use are excellent. It took me little time to get used to the use of both and I am extremly happy with the results

WEX

It's been 4 weeks of ownership and months of consideration so I bit the bullet at now I am a cinema convert. OK you have a full frame camera and if you can do super35 this lens will blow your mind with power zoom and minimal image size shift when changing focus, it is truely a ground breaker at a...

Sony

Working with a lens that has focus and iris control like on a big ENG lens is so pleasant! The Zacuto rig completes it very nice.

WEX

It's been 4 weeks of ownership and months of consideration so I bit the bullet at now I am a cinema convert. OK you have a full frame camera and if you can do super35 this lens will blow your mind with power zoom and minimal image size shift when changing focus, it is truely a ground breaker at a...

Sony

Have only done some limited testing with this lens so far on Sony FS5 but very pleased with image quality, lack of breathing and par focus.

WEX

It's been 4 weeks of ownership and months of consideration so I bit the bullet at now I am a cinema convert. OK you have a full frame camera and if you can do super35 this lens will blow your mind with power zoom and minimal image size shift when changing focus, it is truely a ground breaker at a...

WEX

I bought the fs7 and E PZ 18-110mm f4 lens a month ago I think the picture and ease of use are excellent. It took me little time to get used to the use of both and I am extremly happy with the results

WEX

Have only done some limited testing with this lens so far on Sony FS5 but very pleased with image quality, lack of breathing and par focus.

Sony

It's been 4 weeks of ownership and months of consideration so I bit the bullet at now I am a cinema convert. OK you have a full frame camera and if you can do super35 this lens will blow your mind with power zoom and minimal image size shift when changing focus, it is truely a ground breaker at a...

B&H Photo

I bought this lens to replace the Sony 28-135 for use on my FS7. Because this lens is designed for the super 35 format and because it is 18mm at the wide end it is good for hand held use and yet it still has good reach at the long end. The lens is sharp and neutral in it's color rendition.

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