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With a constant f/2.8 aperture throughout the zoom range and a 3-stop Image Stabilizer, the EF-S 17-55mm f/2.8 IS USM provides outstanding performance and framing flexibility in low light conditions

Canon 17-55mm f2.8 IS USM EF-S Lens


  • New Or Secondhand: New
  • Lens is suitable for: Canon EOS APS-C (EF-S) Only
  • Fitting: Canon EFs Only
  • ZOOM
  • Standard ZOOM
  • Filter Size: 77mm
  • Lens/Image Stabilisation: Yes

Product code: 40582 (4960999354798)

(685 reviews)


RRP £1,029 SAVE £230.00

No used versions available

Product Details

With a constant f/2.8 aperture throughout the zoom range and a 3-stop Image Stabilizer, the EF-S 17-55mm f/2.8 IS USM provides outstanding performance and framing flexibility in low light conditions.

  • EF-S-Mount Lens/APS-C Format
  • 27.2-88mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • Two UD and Three Aspherical Elements
  • Super Spectra Coating
  • Ring-Type Ultrasonic Motor AF System
  • Optical Image Stabilizer
  • Rounded 7-Blade Diaphragm
  • 3-Stop Image Stabiliser

High performance wide angle zoom

With an effective focal length range of approximately 27-88mm (35 mm equivalent), the EF-S 17-55mm f/2.8 IS USM is a powerful lens that delivers remarkable image quality. The wide angle zoom allows you to capture more of every scene and adds a new sense of space and perspective to your photography.

Fixed aperture

The large f/2.8 aperture provides excellent results in low light conditions. The aperture remains constant through the full focal length range, allowing you to zoom from approximately 27-88mm (35 mm equivalent) without slowing shutter speed.

Pleasing background blur

A circular aperture provides a pleasing background blur when shooting with a wide aperture; ideal for creating a sense of depth and isolating your subject from the background.

Image Stabilizer

The EF-S 17-55mm f/2.8 IS USM features Canon’s 3-stop Image Stabilizer (IS). Ideal for handheld work, IS allows the use of shutter speeds up to 3 stops slower then normal with no perceptible increase in image blur. The IS function helps with low light conditions, fast paced scenes and shooting from moving vehicles.

Fast, quiet auto focus

A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive responsive, near-silent high speed auto focus. Full time manual focus override is available without having to switch out of AF.

Super Spectra coatings

Optimised Super Spectra lens coatings and lens element shaping suppress flare and ghosting - more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true colour balance and increase contrast for vivid high definition images.

Passes distance information to E-TTL II

The lens passes distance information back to the camera's E-TTL II flash system to ensure optimal flash metering in any shooting situation.

Product Reviews

based on 1528 ratings This score is based on all expert and user reviews that TestFreaks has collected for this product. Reviews and scores are collected from more than 30 countries but only reviews in selected languages are shown below.
Sharp focus, Super-sharp images, Fast auto-focus, Consistent output, Easily interchangeable
Trusted Reviews

Overall this is a very good lens. It is well specified and the combination of a 17mm minimum focal length a maximum aperture of f/2.8 is especially impressive. The zoom is fully compatible with Canon E-TTL II flashguns in respect of transferring distance information to help ensure optimal exposures.

Photography BLOG

The Canon EF-S 17-55mm f/2.8 IS USM is the fastest standard zoom dedicated to Canon's APS-C DSLRs, and is designed to be an upgrade for disgruntled kit lens owners who want better image quality.

We can ask the question: who is this meant for? It's definitely not for an amateur photographer who is going to be discouraged by the size and the high price. It's also not for an advanced photographer who is going to be discouraged by the lens's flaws and will buy something less expensive,...


This versatile standard zoom lens can cover everything from landscapes and cityscapes through to group, full-body and head-and-shoulders portraits. Although larger and heavier than Canon’s cheaper EF-S kit zooms, it affords greater control over depth of field for working with selective focus...

What Digital Camera

Well-built, wide-aperture, APS-C zoom with three-stop image stabilisation

Digital Camera World

It’s the nearest thing to a pro-grade Canon EF-S standard zoom...


best lens i have owned and i have owned 4 L lenses. it is as good performance wise as any l lens. wish they would have given it the l coating but its super sturdy so i have no worries. feels stronger then my 24-105mmL. feels nice and looks purdy. ohh and the image quality is stellar.

Camera Labs

Canon's EF-S 17-55mm f2.8 is the general-purpose zoom for anyone who loves to shoot portraits or work in low light; note as an EF-S model, it's not compatible with full-frame cameras.


The Canon EF-S 17-55mm f/2.8 USM IS is not a perfect lens but it lives quite well up to the very high expectations of the user base. The resolution figures are among the very best seen so far for an APS-C standard zoom lens.

The Digital Picture

Since EF-S lenses only mount on Canon EF-S bodies - which all feature a 1.6x FOVCF - the 17-55mm focal length range always equates to the field of view of a 27.2-88mm lens mounted on a full-frame Digital SLR .

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I've hesitated for years on buying this lens and I now wonder why! I've used it on my Canon 7D Mark II and finally I have a piece of glass that can keep up with the quality of the camera. Colours are bright and the focus is sharp.


Used with 70D I haven't had it long so not fully tested it yet it is a bit on the heavy side but thats due to the quality build.So far great images in Bright sun or shade I've not tried long exposures yet focusing is first rate. Well recommended

Love mine. use this on my crop as a walk around lens. Never comes off(well seldom). Sometimes a little short on reach, but thats why I have the 70-200.


I bought this to replace the kit lens as I tend to use the 17-55 range most often. It's early days and I haven't used it as much as I would have wanted to but I'm impressed by what I've seen so far. The output seems sharp and the F2.8 allows better photography in lower lit scenes.

This lens would be just perfect had it been built tightly with high quality components and a couple of rubber seals here and there. Now it's just a pricey very good lens.


old f3.5-5.6 wasn't fast enough to catch a 2 year old... this seems to have done the trick in low light! haven't really tried it out apart from that due to work and foul weather! so far so good! replacing kit lens.

I had this on a 30D as the only lens for over a year and was making due all right (except for theatre shoots where I naturally felt awkwardly). It's a great all around lens, if only it had been built better and had better QC...


Purchased this lens after family asked if I would photograph a few shots at a school prom. The reviews highlighted its sharpness and I certainly wasn't disappointed. The shots far exceeded my expectations. This lens is now well & truly my favourite.

Per aps c, il miglior acquisto.


In truth I have become more fond of this lens the more I have used it. The portraits I have taken have just enough detail with good colour reproduction,using with a Canon 7D. I would recommend this lens over the kit 15-85mm I started with for better Glass but my 70-200 L glass still seems superior.

A little bit underwhelmed by this lens. It was bought to replace the kit lens on a 7D and it's not that huge an improvement to be honest. It's quite a fast lens but definitely on the soft side wider than f8. I also find that images are rather flat and lacking in contrast for my taste and I have to do more in post-processing than I did with the kit lens. The autofocus is quick and quiet but I find it is often necessary to "tweak" it - the full time manual focussing is a big help here. The image stabilisation seems to work well, there is little noticeable vignetting and chromatic aberration appears to be pretty well controlled.

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