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Sony a7S II & Zeiss Batis 135mm f2.8 Kit with FREE Extended Warranty and FREE Case

Highlights

  • Fitting: Sony E-Mount (APS-C & Full Frame)
  • Sensor Size: Full Frame Sensor
  • Resolution: 11-15MP
  • 4K Video
  • Electronic Viewfinder (EVF)
  • Low LUX / Night Time Capture
  • Metal Body

Product code: SONYZZ

Sony a7S II & Zeiss Batis 135mm f2.8 Kit with FREE Extended Warranty and FREE Case

£3,899.00

RRP £4,907 (SAVE £1,008.00)

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Product Details

Exclusive Kit includes:

  • Sony A7s II Body
  • Zeiss Batis 135mm f2.8 (Sony E-Mount)
  • Dick Smith Large Camera Bag

Out of darkness cometh light

Extend your powers of perception with the new α7S II, for extra sensitivity, wide dynamic range, accurate focusing, and unshakeable stability to shoot with solid assurance.

  • 35mm full frame 12.2Million Pixels Exmor CMOS sensor
  • BIONZ X image processing engine
  • Wi-Fi / NFC™ simplifies sharing
  • 4K movie recording featuring full pixel readout without pixel binning
  • 5-axis optical image stabilisation minimises blur
  • Fast Intelligent AF with enhanced speed and accuracy
  • Ultra-high sensitivity up to 409600 ISO

Extreme sensitivity, wide dynamic range

With sensitivity settings that can extend up to ISO 409600 1 plus extra-wide dynamic range, the α7S II can record images in spectacular and subtle detail, from shadows to highlights, under virtually any lighting conditions. The remarkable clarity and lack of noise in stills and movies that you shoot help to realise results that you've been aiming for.

Exmor™ CMOS for extra sensor perception

Capture stills and movies of richer, more natural gradation. The 35mm full-frame 12.2-megapixel 2 image sensor achieves wide dynamic range with very low noise throughout a vast ISO 50-4096001 sensitivity span. Large pixels, gapless on-chip lens structure and other light capture advances allow use of extra-high shutter speeds for low-light shooting.

Smart, speedy BIONZ X™ image processing engine

The newly refined image processing algorithm of the BIONZ X optimises image sensor performance for superior depiction of details in stills and movies throughout all sensitivity ranges. This image processing engine realises image quality of such fine nuance and minimal noise particularly at the mid- to high-sensitivity setting.

Internal 4K movie recording and XAVC S format 3

The α7S II can record 4K (QFHD: 3840 x 2160) movies internally in full-frame format. Full pixel readout4 without pixel binning produces 4K movies with less moiré and jaggies. Support for XAVC S format 3 enables 4K recording at maximum of 100Mbps, for highly detailed footage with less impact from compression noise. Internal recording and HDMI output, both at 4K resolution, are available in full-frame format.

S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3

With these new profiles, dynamic range can be widened up to 1300% for smoother gradations, and colour grading, correction and handling is easy. S-Log3 gamma tonal reproduction is better from shadow to mid-tone (18% grey). The camera’s 14-stop latitude in S-Log3 setting is impressive. S-Gamut3.Cine reproduces the wide colour gamut of DCI-P3 colour space. S-Gamut3 reproduces almost all actual colours suitable for archiving.

Movie functions improve professional workflow

With new functions such as 120fps Full HD recording, 4x/5x slow motion recording and Gamma Display Assist joining enhanced Zebra function, time code/user bit editing and other moviemaking capabilities in its feature set, the α7S II solidly supports professional workflow, giving you greater latitude to produce more moving visions than ever before.

5-axis optical image stabilisation

Equivalent to using a 4.5-stop 5 faster shutter speed, this system is effective at compensating for five types of camera shake. The camera integrates extraordinary image stabilisation and sensitivity to light to let you use a greater range of shutter speed/ISO/aperture settings to express what you aim to capture in handheld stills or movies.

Fast Intelligent AF for levels as low as EV -4

With 169 AF points (25 contrast-detection points, plus nine central AF points each divided into 16 segments, for a total of 25+(9x16)), this speedy, accurate system ensures subject detection accuracy when shooting stills even under low-visibility conditions with lighting as low as EV -4. Moreover, AF speed for shooting Full HD movies is twice as fast as in the α7S.

0.78x magnification XGA OLED Tru-Finder™

With the world’s highest 6 magnification and ZEISS® T* Coating, this electronic viewfinder delivers stunning clarity and contrast with minimal reflection and instantly shows how exposure compensation, white balance and other settings affect images. You can also use Gamma Display Assist and Zebra functions while shooting movies using the viewfinder.

Supports 14-bit uncompressed RAW format

New compatibility with 14-bit uncompressed RAW format lets you choose the optimal format for your needs. The camera thereby ensures supreme quality of tonal gradation to maximise the benefit of the image sensor's wide dynamic range.

Wi-Fi / NFC™ simplifies sharing

With Wi-Fi and NFC (Near Field Communication) built into the α7S II, you can instantly transfer a photo or MP4 movie to your NFC-enabled smartphone or tablet simply by touching it with the camera, then easily upload the photo or movie to your favourite SNS (social networking site).

120fps Full HD and 4x/5x slow motion recording

Featuring full pixel readout without pixel binning, 120fps (100fps) capability and ultra-high sensitivity, the α7S II shoots low-noise, high-frame-rate Full HD movies like no other camera. 120fps (100fps) capability also allows internal recording of 4x/5x slow motion movies with frame rate set at 30p (25p) or 24p.

Picture Profile

It's very useful to tailor the look of your movies even before shooting them by adjusting image characteristics via Picture Profile settings for gradation, colour adjustment and detail. Save and recall up to nine profiles (PP1-PP9) of adjusted parameters with other settings, including new ones for S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3.

Clean HDMI output

This function supports 4K 9 and Full HD and allows uncompressed movie output to an external recorder or monitor. The image can also be recorded in the camera 10 even while signals are output using this function. The included cable protector guards jacks and prevents cables from disengaging accidentally, so you can shoot with greater assurance.

Tough magnesium alloy body

Designed for solid reliability and steady handling, the α7S II's compact body is built to withstand the rigours of shooting in the field, thanks to an internal structure and top, front, and rear covers all made of strong, rigid magnesium alloy.

More precise white balance adjustment

The α7S II offers more white balance adjustment steps (twice as many on the amber-blue axis; four times as many on the green-magenta axis) than the α7S, so you can finely tune white balance with more subtle precision for more natural colours.

Enhanced Eye AF

Now also available in AF-C focus mode, Eye AF automatically detects and tracks an eye of even a moving subject, for more framing freedom.

Bright Monitoring

This function that boosts image brightness by changing shutter speed, for example, can be assigned to a customisable button for easy access when shooting a starry sky or other dark scene.

Focus Magnifier & Peaking function

You can clearly magnify the image to simplify manual fine-tuning of the focus whether shooting still images or movies. The Peaking function can also be activated to colourise the most sharply focused areas of your image for quick confirmation.

Creative Style

Creative Style settings bring out the character of your scene. Simply select any of 13 settings (Vivid, Portrait, etc.) and the camera will adjust image parameters. You can also fine-tune contrast, saturation 14 and sharpness to suit your preference.

Picture Effect (13 modes)

Convert everyday scenes into works of art by applying innovative Picture Effect modes that adjust camera parameters and apply advanced image processing with real-time previews for most effects. You can choose from 13 modes, including Toy Camera, Posterization, HDR Painting, Miniature, Watercolor and Illustration.

Compact Portrait Tele Lens for Sony E-Mount with Autofocus

The ZEISS Batis 135mm f2.8 is the first 135mm AF focal length for mirrorless full-frame cameras from Sony.

  • Fast & Precise AutoFocus
  • Optical Image Stabiliser
  • Compact & Lightweight
  • OLED Display

Fans of Sony’s mirrorless full-frame cameras have a reason to smile: ZEISS has added a further telephoto lens to its ZEISS Batis lens family. The ZEISS Batis 135mm f2.8 is the first 135mm AF focal length for Sony’s A 7 system with E-mount. Like all lenses from the ZEISS Batis range, this new addition is equipped with fast and precise autofocus. To avoid shaking, which can occur very easily with tele lenses, an optical image stabiliser has also been incorporated into the design. ZEISS Batis 135mm f2.8 proves its worth particularly in portrait photography.

Compact, lightweight, top quality

ZEISS has continued to bring the design of the ZEISS Batis 135mm f2.8 into line with the needs of Sony photographers. According to Zeiss, it is important to have a comparably handy lens – in spite of the rather long focal length. They have made a conscious decision to strike a balance between compactness, weight and light intensity…and the results are stunning

OLED display visualises depth of focus

Like all ZEISS Batis lenses, this latest addition features an OLED display that enables precise visualisation of the depth of field. This allows you to be sure that the image is in focus where it matters. The metal housing gives the lens its robust and durable character. Furthermore, the dust and dirt shield means photo shoots in poor weather are no longer an issue.

The image quality leaves nothing to be desired. Zeiss have put a lot of effort into the optical design and into correcting their lenses. For example, Zeiss have been experimenting with special types of glass in order to rule out as many kinds of image errors as possible. They have thus been able to ensure corrected chromatic aberration in the ZEISS Batis 135mm f2.8 so that it has virtually no image errors. 14 lenses have been built into 11 groups in the camera lens.

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